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December 20, 2010 - Week 26
"Set You Off"
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Overview
Lyrics
Overview
Engineering
There is no longer any doubt... winter has arrived. Over the past week we had one of the greatest SoCal storms of our lifetime. It rained for a week straight, which never happens out here. Roofs are leaking, roads are flooding, and we're doing everything we can to stay dry. It's been a real adventure. If you listen closely, you might even hear some rainfall in the background of our new song, "Set You Off."
By Sean
tick tick tick goes the bombshell. you think we can resist? you think we can hide our excitement?
tick tick tick show us how it's done. leave it to a bombshell to give us all a private show.
"Set You Off"
by The Theory of Funkativity
Verse:
I stay two steps behind
'Cause i'm not sure
I may have got more
Than I bargained for
Cut the circulation
Cut the inner tube
Can't tell if you want
Me to come to you
Now that you mention that you
Need to be detonated
Girl, I can press the button
I'll do what you say, yeah
Chorus:
I want to set you off, girl
I want to set you off
I want to get you off, girl
I want to get you
I want to see you drop, girl
I want to see you drop
I want to hear you fall, girl
I want to hear you
Verse:
I've grown to have a liking
For recycled air
It has become
My favorite atmosphere
Are you a big deal
On the internet
Do you have at least
A million followers
Does everyone care what you wear
What you said and who you're with, girl
What's coming next they want to know
How you feel happiness
Now that you mention that you
Need to be detonated
Girl, I can press the button
I'll do what you say, yeah
Chorus:
I want to see you drop, girl
I want to see you drop
I want to hear you fall, girl
I want to hear you
I want to set you off, girl
I want to set you off
I want to get you off, girl
I want to get you
Chorus:
I want to set you off, girl
I want to set you off
I want to get you off, girl
I want to get you
I want to see you drop, girl
I want to see you drop
I want to hear you fall, girl
I want to hear you
By Michael
The song is built around a droning open chord that keeps the verse rooted. On top of this appear a series of big, brief instrumental swells capped by a distorted multi-part harmony. The acoustic guitars break their strumming pattern to mirror the swells, chiming in each time with a heavy strum. For the most part, the instrumentals break free during the chorus, but the stationary backup harmonies echo the stubborn immobility of the verse.
By Michael
This was the first time I've included an acoustic lead. I wanted the part to be beefy but still cut through the mix. I ended up compressing it hard - to the point of distortion - with the Waves CLA-76. It made for an interesting tone. Very big with a smooth chime. The instrumental swells land on top of it, but I like how the parts trade off in that way.